To make my paintings enter into vibration, I use a particular pictorial technique. First, I load my brushes with paint, then I rub them against my jeans. This system allows me not only to save time in my gesture by mixing the colors directly on me, but also to remove the excess of acrylic on my brush. These palettes are the guardians of time, I keep them as a track of the evolution of my chromatic choices when I paint a picture.